After inedible rubber chicken skewers at the Brasshouse, we went to the matinee of Craig Revel-Horwood's "
Strictly Confidential" at Birmingham's Symphony Hall. Led by the ebullient Lisa Riley, it gave us all permission to enjoy ourselves, a very underrated mission.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOtN8zLO77beT0ceadGmXm5gmtTxdFukKTkAlTiY61uKpQK_qEBCj1nf3oWgiVBniTa5Rkm5LvcijX-4iNZGcHf-Cwl60x886KZPXx76qc53liH9nlCqzgD8T0cL0TUR8_9e0Mo4w8Ef4/s200/Birmingham-Symphony-Hall-007.jpg)
The over-bright wood panelling that usually reminds patrons of its existence throughout performances was black-curtained round the stage to set it for a properly theatrical experience. Lisa and the cast gave it plenty of welly, fighting the architecture and the natural reserve of us Midlanders. When played to a full house at night and in a traditional theatre it'll be a storm; as it was we loved it anyway.
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